The icon of the feast of the Natitivity of the Most Holy Lady Theotokos is a more-or-less faithful imaging of the protoevangelium, with the composition echoing the Nativity of Our Lord Jesus Christ which Mary’s birth prepares the way for. Anna is reclining in a bed, in a similar way to how Mary herself reclines in icons of Christ’s Nativity. Below Anna, the infant Mary is being bathed by midwives, just as the infant Christ is washed by Salome in the icon of His own birth. Likewise, just as Joseph is shown removed from the main scene of the birth in Nativity icons, Mary’s father Joachim is also shown apart from the scene in icons of the Theotokos’ birth.
As for the differences, the main one is that the surroundings. Whereas Christ’s birth is shown to be in a cave, in the wilderness, the Mother of God’s birth is shown within the city walls, amid what appears to be a beautifully decorated house, because Joachim was “an exceedingly rich man” (Protoevangelium). Instead of a cave, Mary is inside Anna’s bed-chamber, which according to the protoevangelium was made into a sanctuary until the time Mary entered the Temple. Whereas Mary and the Christ-child are attended by angels in their relative solitude, around Anna is a hive of activity: the “undefiled daughters of the Hebrews” whom Anna brought into the bed-chamber to attend to her. (Iconreader)
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